NAS Gallery

Seamless: Object & Image

The National Art School Gallery presents the exhibition Seamless: Object & Image, a selection of well established and promising Australian contemporary artists who work within what are often considered ‘traditional' art forms, i.e. painting, drawing, sculpture, in combination with new media, digital print, film and video. This multi-discipline group exhibition highlights works from the Museum of Contemporary Art's collection in connection with recent work by young artists who also embrace hybrid approaches to their practice demonstrating how the interplay between different pictorial media and technologies creates compelling art.

The featured artists are Destiny Deacon, Patrick Hartigan, James Lynch, David Noonan, Tony Schwensen, Tim Silver and Emma White.

These artists purposely experiment with the differing effects that working between surface, time, space and movement allows for. While their individual practices are very different what they share is an interest in the ambiguity and rich opportunities that the distinctions between images and objects pose. It is these differing perspectives between structures and surfaces that intrigue them and allow them to cross thresholds in order to make their ideas most realisable and apply their craft and skills in captivating ways.

Works in the exhibition include a small rowboat moulded from solid watercolour pigment (Tim Silver); finely drawn watercolours and intricate collages of people, animals and insects (Patrick Hartigan); a fountain constructed out of commonly found garden equipment (Tony Schwensen); a sumptuous single edition silkscreen print on linen of a potent and mysterious figure (David Noonan); tableaux of dolls and other found objects dealing with issues of race, gender and sexuality (Destiny Deacon); playful but highly crafted FIMO sculptures of stamps and festive objects (Emma White); and a series of dreamlike drawings related to the artist's father's experience in WWII (James Lynch). These works, combined with a variety of photography, animation, film and video demonstrate how the interplay between different pictorial media and technologies creates compelling art.

The association between an educational organisation dedicated to the training and teaching of artists (NAS) and a contemporary art museum committed to the presentation and preservation of visual art (MCA) builds on the appreciation of the multi-faceted role of art in our society and highlights the collaborative nature of culture in our community. Seamless provides a unique opportunity to understand the concerns of artists who both embrace tradition and experiment with the range of new materials at their disposal. The National Art School and MCA are well placed to offer the public and students an opportunity to consider these developments in artistic practice.


Seamless: Object & Image is organised in association with the Museum of Contemporary Art.

Curators: Katie Dyer and Karen Hall, MCA Touring Exhibitions and Projects Manager

 

EVENTS
Art Forum Series
Wednesday 28 May, 1pm
Join Seamless artist Patrick Hartigan for a discussion on the relationship between film making and his painting and drawing practice.



 

WHERE & WHEN:

15 May - 25 June
Opening: 14 May, 6-8pm, Opened by Rachel Kent, Senior Curator, Museum of Contemporary Art

The National Art School Gallery
Forbes Street, Darlinghurst

nasgallery@det.nsw.edu.au
www.nas.edu.au/Nas_gallery.htm

+612 9339 8686

Open Mon - Sat, 10am - 4pm

FREE ADMISSION

 

Lines of Fire: Armed Forces to Art School

Lines of Fire is an exhibition that brings together two worlds that are perceived to be diametrically opposed: the constraints of army life and the creative freedom of the artists' life.

This two-part exhibition presents work by artists who trained at the National Art School following their service in the World War II, several of whom went on to become major contributors to Australian art practice and many of whom went to work in the creative industries such a theatre, design, and the burgeoning world of television making their mark on Australia's growing cultural confidence.

Lines of Fire recognises the history of the Commonwealth Reconstruction Training Scheme (CRTS) that enabled ex-service men and women to train at the National Art School after WWII as they did in a wide ranging number of educational institutions throughout Australia.

The fact that the CRTS scheme enabled these ex-military personnel to pursue their creative interests without a guaranteed profession at the end of their training makes this a remarkable and unique program. Over 100 CRTS students studied fine arts at the National Art School (East Sydney Tech as it was known then) between 1944 -1951. One of the unifying experiences expressed by these artists was the sense of freedom and exploration that they were finally able to pursue, and the intense creative exchange that took place between their fellow students and teachers.

The National Art School's exhibition will juxtapose private drawings and documentation made during the war period with work made by these students while studying at the National Art School. It will include a selected presentation of mature work by some of the artists who went on to make a significant contribution to Australian art, such as John Coburn, Bert Flugelman, Robert Klippel, Tony Tuckson and Guy Warren. The exhibition includes works such as rare and never before seen sketchbooks Guy Warren kept whilst stationed in New Guinea. It will also feature drawings by Robert Mitchell that he made as a POW in Japan and traces the ‘training' period at art school through to the impressive works by a number of the artists that are now seen in major public and private collections around Australia.

This exhibition will be a tribute to the determination and tenacity of those who were part of the CRTS scheme. The role of the Scheme in training artists has never been presented before.

The exhibition is curated by Deborah Beck, National Art School Lecturer/Archivist and Katie Dyer, NAS Gallery Curator/Gallery Manager.

 


 

WHERE & WHEN:

July 9 - August 13, 2008

Opening: Wednesday 9 July, 6-8pm

The National Art School Gallery
Forbes Street, Darlinghurst

nasgallery@det.nsw.edu.au
www.nas.edu.au/Nas_gallery.htm  

+612 9339-8686

Open Mon - Sat, 10am - 4pm

FREE ADMISSION